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Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
Poems in Persons: An Introduction to the Psychoanalysis of Literature (1973; rev. ed. 2000) [14] proposes a very different model of literary processing based on a psychoanalytic theory of identity. The central argument of the text is that writers create texts as expressions of their personal identities and readers re-create their own identities ...
The book was described as a "gem" for students of psychoanalytic theory by psychoanalyst Peter Fonagy [7] and literary theorist Judith Butler described the chapters of the book as "distinguished not only by their enormous theoretical power and precision, but by Fletcher's nearly uncanny ability to read both literary and theoretical texts with ...
Psychoanalytic literary criticism is a method of reading and analysing texts through the lens of psychoanalytic principles. [3] It is largely informed by Freudian psychoanalysis, but has since grown into its own field in literary theory, influenced by the work of psychoanalysts such as Carl Jung, Melanie Klein, and Jacques Lacan.
Lacanianism or Lacanian psychoanalysis is a theoretical system that explains the mind, behaviour, and culture through a structuralist and post-structuralist extension of classical psychoanalysis, initiated by the work of Jacques Lacan from the 1950s to the 1980s.
In The Literary in Theory (2007) Culler discusses the notion of Theory and literary history's role in the larger realm of literary and cultural theory. He defines Theory as an interdisciplinary body of work including structuralist linguistics , anthropology , Marxism , semiotics , psychoanalysis , and literary criticism .
Josh Cohen (born 1970) is a British psychoanalyst, academic and author. [1] Between 1996 and 2024, he taught in the English department at Goldsmiths, University of London, where he was appointed Professor of Modern Literary Theory in 2010. [2]
His defining influences are literary; he was inspired to become a psychoanalyst after reading Carl Jung's autobiography and he has always believed psychoanalysis to be closer to poetry than medicine: "For me, psychoanalysis has always been of a piece with the various languages of literature—a kind of practical poetry."