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The term operetta arises in the mid-eighteenth-century Italy and it is first acknowledged as an independent genre in Paris around 1850. [2] Castil-Blaze's Dictionnaire de la musique moderne claims that this term has a long history and that Mozart was one of the first people to use the word operetta, disparagingly, [7] describing operettas as "certain dramatic abortions, those miniature ...
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Operetta (literally "little opera") is a genre of light opera – light in terms of the subject matter and light in terms of the music itself. Operetta also shares many characteristics with musical theatre. The following is a list of composers who have written works in this genre: Paul Abraham 2 November 1892 – 6 May 1960
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Sousa composed Katherine, his first operetta, in 1879, and copyrighted but never published it. [5] His next operetta, produced after becoming the leader of the United States Marine Band, was The Smugglers, which premiered in 1882. [6] After some financial setbacks, in the mid-1890s, he reached the epitome of his career. [7]
The theatre-sized orchestration, as in the published full score of the operetta, includes one flute doubling on piccolo, one oboe, two clarinets rotating between an E-flat, B-flat, and bass, one bassoon, two horns, two trumpets, two trombones, one tuba, standard orchestral percussion, harp, and strings.
La Vie parisienne (French pronunciation: [la vi paʁizjɛn], Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy. [1] This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects.
The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Berber fighters, against French colonial rule in Morocco. [1] It was also inspired by stories of Lawrence of Arabia aiding native guerrillas.