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Kutiyattam is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of the Common Era, and is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. In addition, many forms of Indian folk theatre abound. [1] They are listed below.
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. [ 1 ] [ 2 ] Like in the areas of music and dance , the Indian theatre is also defined by the dramatic performance based on the concept of Nritya , which is a Sanskrit word ...
The premier of the play was held at Theatre Festival Varmland, Sweden in 2001. The performance is characterized by elements of Bengali folk theatre forms, rites, chorus, dance and modern techniques which goes beyond traditional forms of Sanskrit drama. The Centre for Asian Theatre performed at the Huashan Arts District Outdoor Tent Theatre ...
Yakshagana is not folk art but a popular traditional theatre of India performed in coastal and malenadu regions which is a blend of dance, music, songs, scholarly dialogue and colourful costumes. The word means "celestial music", and the dance drama is performed during the night (usually after the winter crop has been harvested).
The traditional folk theatre of India, which became popular from around the 10th century with the decline of Sanskrit theatre. These regional traditions include the Yatra of Bengal, the Ramlila of Uttar Pradesh, and the Terukkuttu of Tamil Nadu. [1]
In time, these open-air stages became the mainstay of these plays, though the name stuck with the genre; and as it evolved it absorbed all the prevalent folk traditions of music, dance and singing, be it Jhumur, Gambhira, Gajangan, or Panchali into its folds, to create a new template for folk theatre in the coming centuries. [15] [16]
Early development of modern Hindi theatre can be traced to the work of Bharatendu Harishchandra (1850–1885), a theatre actor, director, manager, and playwright based in Varanasi (Banaras), who is also the father of modern Hindi literature as in his short life of 35 years, he edited two magazines, Kavi vachan Sudha and Harishchandra chandrika, wrote numerous volumes of verse in Braj bhasa ...
Parsi theatre was also popular in South-East Asia, where it was known as Wyang Parsi and often imitated. [15] In 1981, Mumbai-based theatre director Nadira Babbar, started her theatre group Ekjute (Together), with the production of Yahudi Ki Ladki, which revived the Parsi theatre style, and is considered one of its finest. [16]