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To properly align adjacent frequency bands through a crossover, the two phase responses should be adjusted until they are seen in Smaart to be parallel through the crossover frequency. [8] The transfer function measurement can be used to measure frequency-related electrical impedance, one of the electrical characteristics of dynamic loudspeakers.
The JBL L-100 and 4310 control monitors were popular home speakers. In the late 1970s, the new L-series designs L15, L26, L46, L56, L86, L96, L112, L150, and later the L150A and flagship L250 were introduced with improved crossovers, ceramic magnet woofers, updated midrange drivers, and aluminum-deposition phenolic resin tweeters.
The 4311 was so popular with professionals that JBL introduced a domestic version for the burgeoning home-audio market. This speaker, the JBL L-100, (or "Century") was a massive success and became the biggest-selling hi-fi speaker ever within a few years. By 1975, JBL overtook Altec as the monitor of choice for most studios.
Manger claims performance, both maximum level and extended low frequency response, which is rather better than traditional full-range drivers. Another unusual full-range driver design is the Walsh driver, popularized in Ohm hi-fi speaker systems, where they reproduced almost the entire audible range of frequencies.
L100 may refer to: L 100, a Belgian resistance organisation; Albatros L 100, light aircraft built in Germany; Hammond L-100, an electric organ series; HMAS Choules (L 100), a Bay-class landing ship with the Royal Fleet Auxiliary (RFA) HMS Liddesdale (L100), Type II Hunt-class destroyer of the Royal Navy; JBL L-100, a model of musical loudspeaker
A component having a 'flat' frequency response will not change the weighting (i.e., intensity) of signal content across the specified frequency range. The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range (the highest audible frequency for most people is less than 20 ...
With alluring proportions and sleek, aerodynamic lines, the L100 sits low to the ground and features massive wheels, whose “spokes” feature 3,000 LED lights on each wheel and can be customized ...
These vintage cone tweeters exhibited very flat frequency response, low distortion, fast transient response, a low resonance frequency and a gentle low-end roll-off, easing crossover design. Typical of the 1960s/1970s-era was the CTS "phenolic ring" cone tweeters, exhibiting flat response from 2,000 to 15,000 Hz, low distortion and fast ...
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