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Perseus, the demigod child of Zeus, eventually decapitated Medusa using gifts from the gods. [7] Caravaggio replaced Medusa's face with his own, allowing him to position himself as being immune to her fatal gaze. [8] Though the head is decapitated, it still appears conscious, with the painting capturing its final moments before death. [9]
The influence of The Raft of the Medusa was felt by artists beyond France. Francis Danby, a British painter born in Ireland, probably was inspired by Géricault's picture when he painted Sunset at Sea after a Storm in 1824, and wrote in 1829 that The Raft of the Medusa was "the finest and grandest historical picture I have ever seen". [85]
Medusa: Florence, Uffizi: 60 × 55 cm Oil on canvas over convex poplar wood shield [9] c. 1597: Portrait of a Courtesan: Berlin, Kaiser Friedrich Museum: 66 × 53 cm Oil on canvas: Destroyed in 1945 c. 1597: Jupiter, Neptune and Pluto: Rome, Casino di Villa Boncompagni Ludovisi: 300 × 180 cm Ceiling fresco in oil c. 1597: Fortune Teller: Paris ...
Medusa and the other Gorgon sisters, Stheno and Euryale, have been featured in art and culture spanning from the days of ancient Greece to present day. Medusa is the most well-known of the three mythological monsters, having been variously portrayed as a monster, a protective symbol, a rallying symbol for liberty, and a sympathetic victim of ...
Medusa, or sometimes referred to as The Head of Medusa, was created c.1618 using oil on canvas and is 68.5 x 118cm. [6] Rubens enlisted the help of Frans Snyders who worked with him multiple times. Snyders was a nature artist and worked with Rubens to paint animals in his pieces, such as the snakes in Medusa. [6]
Medusa, c. 1597, Uffizi, Florence Narcissus at the Source, 1597–1599, Galleria Nazionale d'Arte Antica, Rome. Already evident was the intense realism or naturalism for which Caravaggio is now famous. He preferred to paint his subjects as the eye sees them, with all their natural flaws and defects, instead of as idealised creations.
Medusa remained a common theme in art in the nineteenth century, when her myth was retold in Thomas Bulfinch's Mythology. Edward Burne-Jones ' Perseus Cycle of paintings and a drawing by Aubrey Beardsley gave way to the twentieth-century works of Paul Klee , John Singer Sargent , Pablo Picasso , Pierre et Gilles , and Auguste Rodin 's bronze ...
Medea (Sandys painting) Medusa (Caravaggio) Medusa (Leonardo) Medusa (Rubens) Meleager and Atalanta (Jordaens, 1618) Meleager and Atalanta (Jordaens, 1620–1650) Metamorphosis of Narcissus; The Minotaur (painting) The Myth of Prometheus (Piero di Cosimo)
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