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In Papua New Guinea, the form of dress is known as meri blaus, which in Tok Pisin means women's blouse. It is considered formal local attire. It is considered formal local attire. In the 1960s and 1970s many women in Tarawa, Kiribati and a few i-matang women wore a garment which was referred to as a Mother Hubbard.
The term was originally used only for women's skirts, as men wore a loincloth, called a maro. Nowadays the term is used for any cloth worn wrapped around the body by men and women. The pareo in Tahitian and pareu in Cook Islands were the first Pacific islands and original creators of the tapa board patterned prints.
The lavalava is secured around the waist by an overhand knotting of the upper corners of the cloth; women often tuck the loose ends into the waistband, while men usually allow them to hang in front. Women generally wear ankle-length lavalava while men's wraps often extend to the knee or mid-calf depending on the activity or occasion.
Traditional clothing on the main island of Yap includes loincloths and hibiscus fiber for the men and grass skirts for the women. This clothing is popular in remote villages and during festivals. Modern clothing is slowly replacing traditional clothing on these islands. [9]
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In the Pacific islands, where colonization occurred later in the era, the darker skin of natives became a garment. The lack of clothing, in particular women not covering their breasts, was no longer noticed by some Europeans after a time of adjustment.
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