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Wucai Goldfish Vase from the Jiajing period (1521–67) of the Ming dynasty Wucai jar with the Eight Immortals, Wanli reign, 1573–1620. Wucai (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours.
Famille verte (康熙五彩, Kangxi wucai, also 素三彩, Susancai), adopted in the Kangxi period around 1680, uses green in a few different shades and iron red with other overglaze colours. It developed from the wucai (五彩, "five colours") style, which combines underglaze cobalt blue with a few overglaze colours.
Famille verte (康熙五彩, Kangxi wucai, also 素三彩, susancai, lit. 'three colours on a plain [unglazed or thinly glazed] body'), adopted in the Kangxi period (1661–1722), uses green and iron red with other overglaze colours. It developed from the wucai (五彩, "five colours") style.
Small cup with the "Five Treasures", Chenghua reign mark, 2.9 × 7 cm, PDF.767. Doucai (Chinese: 斗彩; Wade–Giles: tou-ts'ai) is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired.
Jingdezhen, China A Chicken Cup is a bowl-shaped vessel made of Chinese porcelain painted in the doucai technique. Chicken cups were created during the Ming dynasty (1368 – 1644), during the Chenghua Emperor 's reign (1465 – 1487) in China, and originally functioned as a vessel to drink wine from.
The true transitional style is finely potted and painted, with a deep blue compared to "violets in milk". Many pieces have groups of figures in an extravagant landscape with mountains, clouds, and the moon. Although very much in the "Chinese taste", the pieces also appealed to buyers from Japan and Europe, and many were immediately exported.
China’s economic woes are starting to resemble the decades-long problems of Japan. In the 1970s and ’80s, Japan’s economy quickly developed into a powerhouse, just as China’s has over the ...
A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...
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