Search results
Results from the WOW.Com Content Network
Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
Several machine head placements are possible, depending on the shape of the headstock: rectangular head, 2 rows of 3 pins (or 6 pins for 12-string guitars): found on most "Folk" and "Jazz" guitars and on Gibson Les Paul guitars;
The headstock shape was also modified to a deeper taper and shaped to resemble the Martin instruments. As is traditional with classical instruments, Sigma classical guitars do not have the headstock logo, and one must rely on the inner label for identification.
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
Banjo guitar, also known as banjitar [1] or ganjo, [2] is a six-string banjo tuned in the standard tuning of a six-string guitar (E2-A2-D3-G3-B3-E4 from lowest to highest strings). The instrument is intended to allow guitar players to emulate a banjo, without learning the different tuning and fingering techniques required for the standard five ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]