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Love Sux is the seventh studio album by Canadian singer-songwriter Avril Lavigne, released on February 25, 2022, by DTA and Elektra Records.Her first studio album since Head Above Water (2019), Lavigne worked on Love Sux with various artists including Machine Gun Kelly, Blackbear and Mark Hoppus of Blink-182.
The Garland of Sulpicia, [1] also sometimes known as the Sulpicia cycle [2] or the Sulpicia-Cerinthus cycle, is a group of five Latin love poems written in elegiac couplets and included in volume 3 of the collected works of Tibullus (Tibullus 3.8–3.12 = Tibullus 4.2–4.6).
Ali Shutner from NME described "Love It When You Hate Me" as a "pop-punk banger", [5] and Emily Carter writing for Kerrang! noted that the song "hears the Canadian star embracing nostalgic pop-punk in the chorus – 'The highs the lows the yes, the nos / You're so hot when you get cold / Don't call me baby / I love it when you hate me' – and fresher elements in the verses."
The six poems of Sulpicia are all very short: 10, 8, 4, 6, 6, and 6 lines respectively. Nonetheless they tell the complete story of a love-affair with all the usual incidents: falling in love, temporary separation, the unfaithfulness of one partner, the illness of the other, and the reassertion of love.
The six poems are of different lengths: 28, 30, 38, 96, 34, and 64 lines respectively. The lengths of the poems can be arranged as follows: 1 + 2 + 3 = 96 lines 4 = 96 lines 5 + 6 = 98 lines. Thus the 4th poem, as well as being the longest, is the centre of the series.
It is the lead single from Lavigne's seventh studio album, Love Sux (2022). The song was noted by critics as a return to Lavigne's pop-punk roots. The song peaked at number 63 on the Canadian Hot 100 and number 61 on the UK Singles Chart.
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"I'm a Mess" was received positively upon release; with Jack Rogers of Rock Sound describing the song as "really lovely", and an "open, existential and sentimental love song all about feeling lost and alone but knowing that there is someone else at there who can bring it back to the centre", further remarking that "the duo bounce off and complement each other beautifully, making it a track ...
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