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In Hawaiian religion, the Kumulipo is the creation chant, first recorded in the 18th century. [1] It also includes a genealogy of the members of Hawaiian royalty and was created in honor of Kalaninuiamamao and passed down orally to his daughter Alapaiwahine .
With Likelike's siblings, she led one of the three royal music clubs that held regular friendly competitions to outdo each other in song and poetry while she was alive. "ʻĀinahau" , the most famed of Likelike's works, was composed about the Cleghorn residence in Waikiki , the gathering place for Sunday afternoon musical get-togethers where ...
Probably written at Hamohamo, the Waikīkī home of the Queen, this song appeared in "He Buke Mele O Hawaii" under the title He ʻAla Nei E Māpu Mai Nei. Ahe Lau Makani is used only verse 1 and 2, and may be an abridged version. Līlīlehua refers to the name of the gentle rain in Palolo Valley, Oahu. Verse 1, 2 and the Chorus is translated by ...
One Hawaiian creation myth is embodied in the Kumulipo, an epic chant linking the aliʻi, or Hawaiian royalty, to the gods.The Kumulipo is divided into two sections: night, or pō, and day, or ao, with the former corresponding to divinity and the latter corresponding to humankind.
Pukui is the co-author of the definitive Hawaiian-English Dictionary (1957, revised 1986), Place Names of Hawaii (1974), and The Echo of Our Song (1974), a translation of old chants and songs. Her book, ʻŌlelo Noʻeau , contains nearly 3,000 examples of Hawaiian proverbs and poetical sayings, translated and annotated.
From 1967 to 1993 she was on the faculty of the University of Hawaii, where she helped establish its Hawaiian studies program. She then became Professor Emeritus of Hawaiian Language and Literature and continued to publish. She researched the history of the Kumulipo, a sacred chant of Hawaiian mythology, and early newspapers in the Hawaiian ...
By 1916, records of Hawaiian steel guitar were outselling every other music genre in the nation. Hawaiian music started cropping up in Hollywood soundtracks and L.A. clubs, and was further ...
Her last years focused on work pertaining to Hawaiian herbal remedies, as well as translating the work of Hawaiian writers such as Kepelino and Samuel Kamakau. [3] At the age of 80, she published her final major work on the Kumulipo , and though she suffered a stroke in 1951, she remained an editor for the Journal of American Folklore until the ...