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This book is [the work of] don Michael of Northgate, written in English in his own hand, that's called: Remorse of Conscience. And in a postscript, Ymende. þet þis boc is uolueld ine þe eve of þe holy apostles Symon an Iudas / of ane broþer of þe cloystre of sanynt Austin of Canterburi / ine þe yeare of oure lhordes beringe 1340.
The title derives from a line in the poem "XVI – (How clear, how lovely bright)", from More Poems, by A. E. Housman, a favourite poet of Dexter and Morse: "Ensanguining the skies How heavily it dies Into the west away; Past touch and sight and sound Not further to be found, How hopeless under ground Falls the remorseful day."
Poems Composed or Suggested during a Tour in the Summer of 1833 1835 By a Retired Mariner, H. H. (A Friend of the Author) 1833 "From early youth I ploughed the restless Main," Poems Composed or Suggested during a Tour in the Summer of 1833 1835 At Bala-Sala, Isle of Man ((supposed to be written by a friend) 1833
The poem was an influence on the early work of Edgar Allan Poe. His first major poem, "Tamerlane", particularly emulates both the manner and style of The Giaour. [2] Polish poet Adam Mickiewicz translated the work into Polish. [3] Mickiewicz wrote in November 1822: "I think I shall translate The Giaour."
Full text The Rime of the Ancient Mariner at Wikisource The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere ), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads , is a poem that recounts the experiences of a sailor who has returned from a long sea ...
Byzantium" is a sequel to "Sailing to Byzantium" (from The Tower), meant to better explain the ideas of the earlier poem. An important insight on Yeats's concern of death lay in the poem "Byzantium" which further exploits the contrast of the physical and spiritual form and the final stanza concludes by differentiating the two.
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"Maxims I" (sometimes treated as three separate poems, "Maxims I, A, B and C") and "Maxims II" are pieces of Old English gnomic poetry. The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i.