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A follow-up version released a year later, "54-46 Was My Number", [3] was one of the first reggae songs to receive widespread popularity outside Jamaica, and is seen as being one of the defining songs of the genre. It has been anthologised repeatedly and the titles of several reggae anthologies include "54-46" in their title.
"Do the Reggay" is a reggae song by the Maytals, written by Toots Hibbert, produced by Leslie Kong and released on Beverley's in Jamaica and Pyramid Records in the UK in 1968. It was the first popular song to use the word " reggae " and defined the developing genre by giving it its name. [ 1 ]
Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
"Israelites" is a song written by Desmond Dekker and Leslie Kong for their group, Desmond Dekker & the Aces, [2] which reached the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song's lyrics were not readily understood by many British and American listeners at the time of its rel
These included "Do the Reggay", released in 1968, which was the first song to use the word "reggae" and gave the developing genre its name. [6] The Maytals are responsible for some of the biggest hits in reggae history, including "Pressure Drop," "Sweet and Dandy" and "54-46 That's My Number". [6]
The result was "Wet Dream", produced by Harry Robinson and Junior Smith. Although the single was released in 1968, it did not start to sell until 1969. Already a hit in Jamaica, it entered the UK charts in May 1969 reaching 10 as its highest position in August 1969. [2] The song gained notoriety due to its lyrics of an explicit sexual nature.
Desmond Dekker (16 July 1941 – 25 May 2006) [1] was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard), he had one of the earliest international reggae hits with "Israelites" (1968).
He first appeared as a record producer in 1968, when he launched his own record label, "Harry J", by releasing The Beltones' local hit "No More Heartaches", one of the earliest reggae songs to be recorded. [3]
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