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Bandits in Milan by Carlo Lizzani (1968). Although the subgenre has its roots in Italian heist films of the late 1960s, such as Bandits in Milan (Banditi a Milano, 1968) by Carlo Lizzani, it was also strongly influenced by such rough-edged American police thrillers of the late 1960s and early 1970s as Bullitt, Dirty Harry, The French Connection, Magnum Force, and Serpico; the 1970s wave of ...
...a tutte le auto della polizia (Mario Caiano, 1975; English: Calling All Police Cars) a.k.a. The Maniac Responsible; Snapshot of a Crime (Mario Imperoli, 1975; Italian: Istantanea per un delitto) The Police Are Blundering in the Dark (Helia Colombo, 1975; Italian: La polizia brancola nel buio) Death has blue eyes (Nico Mastrokaris, 1976)
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Polizia di Stato on duty in Piazza di Spagna, Rome, in 2007. The Polizia di Stato (State Police) is the civil national police of Italy. Along with patrolling, investigative and law enforcement duties, it patrols the Autostrade (Italy's Express Highway network), and oversees the security of railways, bridges, and waterways.
The Italian unification saw the number of divisions increased, [9] and on 24 January 1861, the Carabinieri were appointed the "First Force" of the new national military organization. [9] Carabinier's bicorne. In May 1915, Italian troops marched to encompass South Tyrol, a territory of their former allies Austria-Hungary, in the Italian front.
Almost Human (Italian: Milano odia: la polizia non può sparare, "Milan hates, the police can't shoot") is a 1974 Italian noir-poliziotteschi film directed by Umberto Lenzi. This film stars Tomas Milian, Henry Silva, Ray Lovelock, and Anita Strindberg. [2]
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A list of some notable films produced in the Cinema of Italy ordered by year and decade of release For an alphabetical list of articles on Italian films see Category:Italian films. 1910s [ edit ]