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  2. Mechanical Licensing Collective - Wikipedia

    en.wikipedia.org/wiki/Mechanical_Licensing...

    The Mechanical Licensing Collective (MLC) is a nonprofit organization established under the Music Modernization Act of 2018. [1] It was created to issue blanket mechanical licences for qualified streaming services in the United States, such as Spotify , Apple Music , Amazon Music , and Tidal .

  3. List of online music databases - Wikipedia

    en.wikipedia.org/wiki/List_of_online_music_databases

    Below is a table of online music databases that are largely free of charge. Many of the sites provide a specialized service or focus on a particular music genre . Some of these operate as an online music store or purchase referral service in some capacity.

  4. Harry Fox Agency - Wikipedia

    en.wikipedia.org/wiki/Harry_Fox_Agency

    The Harry Fox Agency (HFA) is a provider of rights management and collector and distributor of mechanical license fees on behalf of music publishers in the United States. HFA has over 48,000 music publishing clients and issues the largest number of licenses for physical and digital formats of music. [1]

  5. Sony Music Publishing - Wikipedia

    en.wikipedia.org/wiki/Sony_Music_Publishing

    Sony Music Publishing LLC (formerly Sony/ATV Music Publishing) is an American music publisher.Responsible for publishing the largest quantity of music, with over five million songs owned or administered as of end March 2021, it is part of the Sony Music Group, [1] which is itself owned by Sony Entertainment.

  6. Music licensing - Wikipedia

    en.wikipedia.org/wiki/Music_licensing

    Music licensing is the licensed use of copyrighted music. [1] Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. A purchaser has limited rights to use the work without a separate agreement.

  7. Music publisher - Wikipedia

    en.wikipedia.org/wiki/Music_publisher

    Traditionally, music publishing royalties are split seventy/thirty, with thirty percent going to the publisher (as payment for their services) and the rest going to the songwriter or songwriters. Other arrangements have been made in the past, and continue to be; some better for the writers, some better for the publishers.

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