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The Grand Louvre refers to the decade-long project initiated by French President François Mitterrand in 1981 of expanding and remodeling the Louvre – both the building and the museum – by moving the French Finance Ministry, which had been located in the Louvre's northern wing since 1871, to a different location.
The Grands Projets of François Mitterrand (variants: Grands Travaux [ɡʁɑ̃ tʁavo] or Grands Projets Culturels [ɡʁɑ̃ pʁɔʒɛ kyltyʁɛl]; officially: Grandes Opérations d'Architecture et d'Urbanisme [ɡʁɑ̃dz‿ɔpeʁasjɔ̃ daʁʃitɛktyʁ e dyʁbanism]) was an architectural programme to provide modern monuments in Paris, the city of monuments, symbolising France's role in art ...
Inside pictures: a view of the Louvre Museum in Paris from the underground lobby of the pyramid. The pyramid in the Cour Napoléon shown on a schematic of the Louvre. The Grand Louvre project was announced in 1981 by François Mitterrand, the President of France. In 1983 the Chinese-American architect I. M. Pei was selected as its architect ...
The move of the Ministry of the Economy and Finance was decided in 1981, as part of the Grands Travaux launched by the new president François Mitterrand, in order to free up the Richelieu Wing of the Louvre Palace and extend the Louvre Museum to the entire palace for the Grand Louvre project.
The Grand Louvre project separated the department into two exhibition spaces; the French collection is displayed in the Richelieu Wing, and foreign works in the Denon Wing. [95] The collection's overview of French sculpture contains Romanesque works such as the 11th-century Daniel in the Lions' Den and the 12th-century Virgin of Auvergne.
In May 2016, after will.i.am released a 12-minute documentary, titled will.i.am at the Louvre , and a music video for his song "Mona Lisa Smile," the museum responded with another guided tour that ...
With the Grand Louvre project beginning in 1981, François Mitterrand gave the Louvre a new face. When the Ministry of Finance was moved from the palace to Bercy, the entire palace was transferred to the museum, and the Marly, Puget and Khorsabad courtyards with glass roofs became the ideal display space for large works.
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