Search results
Results from the WOW.Com Content Network
The Crew-Cuts (sometimes spelled Crew Cuts or Crewcuts) were a Canadian vocal and doowop quartet, that made a number of popular records that charted in the United States and worldwide. [2] They named themselves after the then popular crew cut haircut , one of the first connections made between pop music and hairstyle .
It should only contain pages that are The Crew-Cuts songs or lists of The Crew-Cuts songs, as well as subcategories containing those things (themselves set categories). Topics about The Crew-Cuts songs in general should be placed in relevant topic categories .
It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who first recorded the song) and the Crew-Cuts. [2] In 2004, it was ranked No. 215 on Rolling Stone's "Top 500 Best Songs of All Time". [3]
The song was one side of a two-sided hit, with the flip side being "Earth Angel." Defending against the criticism that they and other white artists were being "predatory" by "systematically pillaging the R&B charts" and recording cover versions of songs written by black musicians, [69] [70] Crew-Cut member Rudi Maugeri responded:
"Mostly Martha" is a popular song written by Ralph Sterling (music) and Dorcas Cochran (lyrics). The best-known version was recorded by The Crew-Cuts in 1955. This recording was released by Mercury Records as catalog number 70741 along with the flip side of "Angels In the Sky". It first reached the Billboard magazine charts on January 7, 1956 ...
Many white artists covered the song, including Gloria Mann, Pat O'Day, and Les Baxter. [5] The most notable of these was performed by a vocal group from Canada named the Crew-Cuts, signed to Mercury Records. Their version peaked at number three on the pop charts, higher than the original. [9]
With a runtime of 2 hours and 48 minutes, Beyoncé's 'Renaissance Film' had to cut a handful of songs performed at her worldwide tour. See the full setlist here.
The song became a hit several times over the years with three near-simultaneous versions released by Sonny James, Tab Hunter, and the Crew-Cuts in 1957, [1] and was later covered with hit versions by Lesley Gore in 1965 and Donny Osmond in 1973.