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Panel khrushchevka in Tomsk. Khrushchevkas (Russian: хрущёвка, romanized: khrushchyovka, IPA: [xrʊˈɕːɵfkə]) are a type of low-cost, concrete-paneled or brick three- to five-storied apartment buildings (and apartments in these buildings) which were designed and constructed in the Soviet Union since the early 1960s (when their namesake, Nikita Khrushchev, was leader of the Soviet ...
The original goal of state-mandated film in the Soviet Union was to develop a means of propaganda purposed to usurp other forms of entertainment. 1920s cinema was designed to make a financial and ideological impact, and by the mid-1930s, foreign films were no longer imported into Russia from outside countries.
At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union.
Central House of Cinema (CDK) is a movie theater in Moscow, Russia, established in 1934 and currently managed by the Union of Cinematographers of the Russian Federation. CDK is a venue for film premieres, as well as open talks, artistic encounters, conferences, etc.
At the end of the 1980s, the cinema had three auditoriums: "red" - for 560, "blue" - for 450, "round" - for 100 seats. The cinema building was a venue for brass band concerts and evening dances. In the postwar years and until 1971 - the opening of the cinema "October" on Gagarin Street - was the only cinema in Chernihiv. [6]
Urban planning in the Soviet Bloc countries during the Cold War era was dictated by ideological, political, social as well as economic motives. Unlike the urban development in the Western countries, Soviet-style planning often called for the complete redesigning of cities. [1] This thinking was reflected in the urban design of all communist ...
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Soviet parallel cinema is a genre of film and underground cinematic movement that occurred in the Soviet Union in the 1970s onwards. The term parallel cinema (known as parallel’noe kino) was first associated with the samizdat films made out of the official Soviet state system. [ 1 ]