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In jazz theory, an avoid note is a scale degree which is considered especially dissonant relative to the harmony implied by the root chord, and is thus better avoided. In major-key tonality the avoid note is the fourth diatonic scale step , or 11th, which is a minor ninth above the 3rd of the chord, and thus very harsh. [ 1 ]
For example, in major-key harmony the 4th, and thus the 11th, is an avoid note and is therefore either treated as a passing tone or is augmented (raised a semitone). [4] Avoid notes are often a minor second (or a minor ninth) above a chord tone [5] or a perfect fourth above the root of the chord. [6]
Students now typically learn as many as twenty-one scales, which may be compared with the four scales commonly used in jazz in the 1940s (major, minor, mixolydian, and blues) and the two later added by bebop (diminished and whole-tone) to the tonal resources of jazz. [8] The corresponding scale for the C 7 ♯ 11 chord, with added ninth and ...
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. [3]
The lower note is a constant A (440 Hz in either scale), the upper note is a C ♯ in the equal-tempered scale for the first 1", and a C ♯ in the just intonation scale for the last 1". Phase differences make it easier to detect the transition than in the previous sample.
(Note: the root C is omitted here, and is often done so by jazz pianists for ease of playing, or because a bass player is present.) Example 2: The following example illustrates the notes of an F ♯ minor triad functioning as part of a C 13 ♭ 9 ♯ 11 chord (C major chord with a minor 7th, minor 9th, augmented 11th, and major 13th):
Kam Jones scored 23 points and No. 9 Marquette committed just two turnovers in an 80-70 victory over Butler on Wednesday night in the Big East opener for both teams. Marquette (10-2, 1-0) had its ...
Dominant seventh chord on C: C 7 Play ⓘ.. Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction.