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"Beyond the Sunset" is a song written by Blanche Kerr Brock, Virgil P. Brock, and Albert Kennedy Rowswell. [1] It was released as a single by Hank Williams under the ...
Beyond the Sunset may refer to: Beyond the Sunset, a 1989 Hong Kong film "Beyond the Sunset" (song), a 1950 song by Hank Williams; Beyond the Sunset: The Romantic ...
He Looked Beyond My Fault And Saw My Need (Andraé Crouch, Jerry Lee Lewis, The Oak Ridge Boys) He Loved Me To Death; He Must Die; He Never Once Stopped Believing In Me; He Never Sends Me Where He's Never Been; He Plants Me Like A Seed; He Restoreth My Soul (In the Valley) He Sees Me Through The Blood; He Waits For The Sound Of My Voice
Beethoven as portrayed by August von Kloeber in 1818. In 1820, when Beethoven wrote Abendlied he was 49 years old. 1820 was a year in which the sorrows of his life (deafness, illness, failure to find a marriage partner) [a] were augmented by the climactic phase of his legal confrontation with his sister-in-law Johanna van Beethoven over custody of his nephew (Johanna's son) Karl.
Jessie Wanda Williams (née Crupe), known under the stage name Chickie Williams, (February 13, 1919 – November 18, 2007) was an American country musician from West Virginia who is best known for performing on the Wheeling Jamboree radio program on WVVA with her husband Doc Williams and their band the Border Riders. [1]
[3] It was released as a single in 1950 with "Beyond the Sunset as the B-side. It also appeared on the 1953 posthumous LP Hank Williams as Luke the Drifter . References
Beyond the Sunset is a Blackmore's Night compilation album released in 2004 through Steamhammer. It is named after the song "Beyond the Sunset" by Blackmore’s Night from their 1999 album Under a Violet Moon. This compilation was derived from their four studio albums released at that point except for one previously unreleased track; "Once In A ...
The song begins and ends in 9/8 time, while the majority of the song is in 4/4 (or "common time"), and it is punctuated with added measures of 7/8 and 3/8. Adding to the complexity, the main theme of the rhythm guitar has chords changing emphatically in dotted eighth notes, so three eighth-note beats are divided equally in two.