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In the contemporary Hindu culture of Bali in Indonesia, Siwa (Shiva) Nataraja is the god who created dance. [59] Siwa and his dance as Nataraja was also celebrated in the art of Java Indonesia when Hinduism thrived there, while in Cambodia he was referred to as Nrittesvara. [60] Modern statue gifted by India at CERN in Geneva, Switzerland
The Natya Shastra portrays Shiva narrating about the various aspects of the dance to the god Brahma. [4] The 32 Angaharas and 108 Karanas are discussed by Bharata in the 4th chapter of the Natya Shastra, Tandava Lakshanam. [11] Karana is the combination of hand gestures with feet to form a dance posture. Angahara is composed of seven or more ...
In the Hindu scriptures, every god has his or her own style (lasya and tandava respectively represent two aspects of dance) we read about 23 celestial beings called Apsarases who dance to please the gods and express the supreme truths in the magic of movement.
[91] [92] The ancient Greek texts of the time of Alexander the Great call Shiva "Indian Dionysus", or alternatively call Dionysus "god of the Orient". [91] Similarly, the use of phallic symbol [ note 2 ] as an icon for Shiva is also found for Irish, Nordic, Greek (Dionysus [ 93 ] ) and Roman deities, as was the idea of this aniconic column ...
Ardhanarishvara is interpreted as an attempt to syncretise the two principal Hindu sects, Shaivism and Shaktism, dedicated to Shiva and the Great Goddess. A similar syncretic image is Harihara , a composite form of Shiva and Vishnu, the Supreme deity of the Vaishnava sect. [ 3 ] [ 19 ] [ 20 ] [ 21 ]
The following list of art deities is arranged by continent with names of mythological figures and deities associated with the arts.Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses.
Sculptures of the Karanas performed by the god of dance - Nataraja - at Kadavul Hindu Temple, on Kauai, Hawaii. Karanas are the 108 key transitions [1] in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. Karana is a Sanskrit verbal noun, meaning "doing".
Rukmini Devi Arundale, a theosophist trained in ballet, sought to re-appropriate the Devadasi dance traditions in a context perceived respectably by Indian society which had by then adopted the western morales. She altered the dance repertoire to exclude pieces perceived as erotic in their description of a deity.