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There are 51 Byzantine manuscripts in Greek minuscule that constitute the main basis for the text of Plato's works. [2] Codex Oxoniensis Clarkianus 39 — 895 AD; first six tetralogies, designated B. [3] Codex Parisinus graecus 1807 — circa 900 AD; last two tetralogies and the apocrypha, designated A
These are the dialogues ascribed to Plato in antiquity. Many of these frequently feature Socrates and are an important part of the Socratic dialogues . Wikimedia Commons has media related to Dialogues by Plato .
Plato wrote approximately 35 dialogues, in most of which Socrates is the main character. The protagonist of each dialogue, both in Plato's and Xenophon's work, usually is Socrates who by means of a kind of interrogation tries to find out more about the other person's understanding of moral issues. In the dialogues Socrates presents himself as a ...
Plato never speaks in his own voice in his dialogues; every dialogue except the Laws features Socrates, although many dialogues, including the Timaeus and Statesman, feature him speaking only rarely. Leo Strauss notes that Socrates' reputation for irony casts doubt on whether Plato's Socrates is expressing sincere beliefs. [ 43 ]
Socrates turns politely to Agathon and, after expressing admiration for his speech, asks whether he could examine his positions further. What follows is a series of questions and answers, typical of Plato's earlier dialogues, featuring Socrates' famous method of dialectics. First, he asks Agathon whether it is reasonable for someone to desire ...
The Theaetetus is one of the few works of Plato that gives contextual clues on the timeline of its authorship: The dialogue is framed by a brief scene in which Euclid of Megara and his friend Terpsion witness a wounded Theataetus returning on his way home after from fighting in an Athenian battle at Corinth, from which he apparently died of his wounds.
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view that the soul is a self-mover with the view that the soul is a mind in order to explain how the soul can move things in the first place (e.g., how it can move the body to which it is attached in life). [10]
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