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Emoto claimed that water was a "blueprint for our reality" and that emotional "energies" and "vibrations" could change its physical structure. [14] His water crystal experiments consisted of exposing water in glasses to various words, pictures, or music, then freezing it and examining the ice crystals' aesthetic properties with microscopic photography. [9]
Berlin gave the royalties of the song to The God Bless America Fund for redistribution to Boy Scouts and Girl Scouts in New York City. [9] Smith performed the song on her two NBC television series in the 1950s. [10] "God Bless America" also spawned another of Irving Berlin's tunes, "Heaven Watch The Philippines," during the end of World War II.
"God Bless America Again" is a country music song written by Bobby Bare and Boyce Hawkins. A patriotic hymn pleading for God's forgiveness of the United States and his guidance over the country, the song was first recorded and made famous by Bare. Released as a single in 1969, Bare's version reached No. 16 on the Billboard Hot Country Singles ...
Musically, "Jesus Christ 2005 God Bless America" is a minimalist folk and acoustic ballad containing elements of lo-fi, emo and alternative country music. The song features a soft, sparse and stripped-down production, composed primarily of Acoustic guitars, electronic textures , quiet drums, distorted horns , saxophones, brass flourishes and ...
Boyd Blake Rice (born December 16, 1956) is an American experimental sound/noise musician using the name of NON since the mid-1970s. A pioneer of industrial music, Rice was one of the first artists to use a sampler and turntable as an instrument. [1] He is also a writer, archivist, actor, and photographer.
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God Bless America Again is the twentieth solo studio album and third gospel album by American country music singer-songwriter Loretta Lynn. It was released on June 5, 1972, by Decca Records . [ 1 ] This was Lynn's last album of religious material for 25 years.
[1] [2] The song became a 19th-century hit and Rice performed it all over the United States as "Daddy Pops Jim Crow". "Jump Jim Crow" was a key initial step in a tradition of popular music in the United States that was based on the racist "imitation" of black people. The first song sheet edition appeared in the early 1830s, published by E. Riley.