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Cernunnos on the Gundestrup cauldron (plate A). He sits cross-legged, wielding a torc in one hand and a ram-horned serpent in the other. Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.
In June 1986, the comic book 2000 AD published the first part of a serial story called Sláine and the Horned God, written by Pat Mills and illustrated by Simon Bisley. Based in Celtic mythology, the Horned God is identified with Cernunnos and is the primary antagonist in a story rich with antagonists. He presents as a Fertility God who has ...
The Talking god, god of the dawn and the east Hashchʼéoghan: The House-god, god of evening and the west Niltsi: Wind god Tó Neinilii 'Water sprinkler', rain god Jóhonaaʼéí: Sun Yoołgai Asdzą́ą́ 'White-shell woman', lunar deity Mą’ii: Coyote trickster god Black God: Creator of the stars, god of fire See also Diné Bahaneʼ: Pawnee ...
Cikap-Kamuy is depicted as a great owl, as opposed to smaller owls (such as little horned owl) that represent demons and other malicious spirits. The Ainu believed that the owl watched over the mosir (country) and local kotan (villages), so Cikap-Kamuy came to be represented as the master of the domain. In some areas, his tears were said to be ...
Iolo wrote further about Hu in his Barddas, supposedly an ancient collection of bardic lore, where he identifies Hu with the Gaulish god Esus and with Jesus. The 20th-century English author Robert Graves accepted Iolo's version of Hu Gadarn (and much of the rest of his work), and further identified Hu as a Welsh horned god , a variant of ...
The association between the owl and the goddess continued through Minerva in Roman mythology, although the latter sometimes simply adopts it as a sacred or favorite bird.. For example, in Ovid’s Metamorphoses, Corone the crow complains that her spot as the goddess' sacred bird is occupied by the owl, which in that particular story turns out to be Nyctimene, a cursed daughter of Epopeus, king ...
Esus [a] is a Celtic god known from iconographic, epigraphic, and literary sources. The Roman poet Lucan's epic Pharsalia mentions Esus, Taranis, and Teutates as gods to whom the Gauls sacrificed humans. This rare mention of Celtic gods under their native names in a Latin text has been the subject of much comment.
The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth , is central to the human experience.