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"The life of an idiot, perhaps. But certainly not a happy one," writes Carlin. [10]Ultimate Classic Rock critic Michael Gallucci rated it as Browne's 4th greatest song, calling it "a nearly six-minute breakdown of one man's occasionally harsh, and almost always dishonest, survival instincts" as "'60s idealism had finally given way to mid-'70s cynicism."
Octandre for flute (doubling piccolo), oboe, clarinet, horn, bassoon, trumpet, trombone, and double bass; Heitor Villa-Lobos: Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib
The Pretender was nominated for a Grammy Award in 1978, but did not win.. Record World said that "Browne's tender concerns are as insightfully expressed as has become the norm, Jon Landau's production adding a subtle broadening of the rock base" and said that "'The Fuse,' 'The Pretender,' 'Sleep's Dark and Silent Gate' and 'The Only Child' are particularly moving and beautifully arranged."
Cello Concerto No. 1 (1972) Cello Concerto No. 2 (1982) Cello Concerto (transcription from Viola Concerto, 1983) Concerto Grosso No. 1, for three cellos and orchestra (2000–01) Largo for cello and orchestra (2003) Flute: Fonogrammi for flute and chamber orchestra (1961) Concerto for flute and chamber orchestra (1992)
Flute B minor Flute sonata in B minor (HWV 367b). Walsh published what is now considered to be Handel's Opus 1 No. 9b. (Handel's Opus 1 No. 9a is the Recorder sonata in D minor (HWV 367a).) Sonata X Violin G minor Violin sonata in G minor (HWV 368). Probably spurious. Sonata XI Recorder F major Recorder sonata in F major (HWV 369). Sonata XII ...
The Flute sonata in E minor (HWV 379) was composed (circa 1727-28) by George Frideric Handel for flute and basso continuo. The work is also referred to as Opus 1 No. 1a, and was first published in 1879 by Chrysander. Other catalogues of Handel's music have referred to the work as HG xxvii,2; and HHA iv/3,2. [1]
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]
Anthèmes for violin (1991; revised and expanded 1994) Fanfare for the 80th Birthday of Georg Solti for brass and percussion (1992; originally titled Dérive 3) …explosante-fixe… for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics (1991–93); three of nine projected movements