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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Prego was the result of efforts in the 1970s by Campbell's Soup to expand its work with tomatoes beyond the soup business. Although senior management originally wanted to create a product to directly attack Heinz (which had sued Campbell's Soup over unfair business practices) the company had no competitive advantage producing ketchup.
These basic chords arise in chord-triples that are conventional in Western music, triples that are called three-chord progressions. After each type of chord is introduced, its role in three-chord progressions is noted. Intermediate discussions of chords derive both chords and their progressions simultaneously from the harmonization of scales ...
A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is particularly common, as it resolves to I) or an extended chord.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Calendar Girl" is a song by Neil Sedaka. The music was composed by Sedaka and the lyrics by Howard Greenfield . [ 2 ] Released in December 1960 as a single, it was a hit single for Sedaka, peaking at No. 4 on the US charts, No. 3 in Australia, and No. 1 on the Canadian (3 weeks) and Japanese charts.
It's In There Somewhere is an album by David Thomas Broughton, released in 2007, collating a number of unreleased songs recorded during the previous six years. Track listing [ edit ]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.