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Italian fashion of the 1470s featured short overgowns worn over doublets, and hats of many shapes. Hats in a variety of styles are also worn by this group of French noblemen in high-collared overgowns lined with fur, c. 1470. Late in the 15th century, a new style of loose overgown with revers and collar appeared. Italy, 1495.
Duchess Katharina von Mecklenburg wears a front-laced gown in the German fashion, with broad bands of contrasting materials, tight sleeves, and slashes at the elbow, 1514. Three ladies in German fashion of 1525–30. Baretts with upturned slashed brims are worn over cauls, and sleeves are variously puffed, pieced, and slashed, with short wide ...
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name. The contemporary French hood was rounded in outline and unlike the gable hood, less conservative, displaying the frontal part of the wearer's hair.
France renewed its dominance of the high fashion (French: couture or haute couture) industry in the years 1860–1960 through the establishing of the great couturier houses, the fashion press (Vogue was founded in 1892 in US, and 1920 in France) and fashion shows. French fashion, particularly haute couture, became a fixture of France's post-war ...
An escoffion ([ɛsˈkɔfiˌjã]) is a piece of female medieval headwear which was popular during the Late Middle Ages (1250–1500). It originated and was popular in European countries such as England, France and Germany, and several Balkan states. The headpiece was made out of a thick, circular roll of material like wool, felt or silk.
The greatest French architect of the era, Salomon de Brosse, designed the Luxembourg Palace for Marie de' Medici. De Brosse began a tradition of classicism in architecture that was continued by Jacques Lemercier , who completed the Palais and whose own most famous work of the Louis XIII period is the Sorbonne Chapel (1635).
While most items of clothing, especially outside the wealthier classes, remained by comparison little changed from three or four centuries earlier, [2]: 39 the more tightly shaped cuts that had been introduced in the preceding century continued to evolve in commoners' fashion [3] too, with the imitation of nobles' clothing beginning among the ...
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