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"Sweet Child o' Mine" is a song by American rock band Guns N' Roses, released on their debut studio album, Appetite for Destruction (1987). In the United States, the song was released in June 1988, topping the US Billboard Hot 100 chart and becoming the band's only US number-one single.
This is an accepted version of this page This is the latest accepted revision, reviewed on 16 February 2025. 1987 studio album by Guns N' Roses For other uses, see Appetite for Destruction (disambiguation). Appetite for Destruction CD and digital cover [a] Studio album by Guns N' Roses Released July 21, 1987 (1987-07-21) Recorded January 18 – June 23, 1987 Studio Rumbo, Canoga Park Take One ...
"November Rain" is the third-longest song by Guns N' Roses, behind "Coma" (10:14) from the same album, and "Estranged" (9:24) from Use Your Illusion II. It was the longest song ever to reach the top 10 of the Billboard Hot 100 until November 2021, when surpassed by Taylor Swift's extended rerecording of " All Too Well ".
The version of "Sweet Child o' Mine" included is the 'Rick Rubin New Mix', originally featured on the Big Daddy soundtrack and later included on Hits & Rarities, and also called the 'Pop Version' on the CD single. It differs from the 'Rock Version' used in the single music video.
Taylor Swift will release a brand new album of original material this week. The Tortured Poets Department is the pop titan’s 11th studio album and appears to have been inspired, in part, by the ...
Taylor Swift’s 11th studio album, “The Tortured Poets Department,” has been released overnight, and in typical Swift fashion, she dropped at a surprise additional 15 songs — confirming ...
The album cover was designed by Peter Blake, ... Sweet Child was originally released in the UK, as a double LP, on 1 November 1968 as Transatlantic TRA178. The US ...
Postmodern Jukebox (PMJ), also known as Scott Bradlee's Postmodern Jukebox, is a rotating musical collective founded by New York-based pianist Scott Bradlee in 2011. . Postmodern Jukebox is known for reworking popular modern music into different vintage genres, especially early 20th century forms such as swin