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Kant described the relationship between these finer feelings and humanity. The feelings are not totally separate from each other. Beauty and the sublime can be joined or alternated. Kant claimed that tragedy, for the most part, stirs the feeling of the sublime. Comedy arouses feelings for beauty.
Hegel's Aesthetics is regarded by many as one of the greatest aesthetic theories to have been produced since Aristotle. [7] Hegel's thesis about the historical dissolution of art has been the subject of much scholarly debate and influenced such thinkers like Theodor W. Adorno , Martin Heidegger , György Lukács , Jacques Derrida and Arthur Danto .
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. [14] Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-worlds reading (a view developed by Paul Guyer). This—according to Allison ...
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Kant called this mediate linkage "subsumption" [Subsumtion], a verb that denotes the inclusion of a part into a whole. A Third Thing (ein Drittes) Kant taught that a Transcendental Schema is a third thing that exists between a perceived phenomenon or appearance and a conceived Category (pure concept of the Understanding). [121]
Kant gives his first definition of an end in Critique of Aesthetic Judgement: “an end is the object of a concept [i.e. an object that falls under a concept] insofar as the latter [the concept] is regarded as the cause of the former [the object] (the real ground of its possibility).”(§10/220/105). [5] Kant characterises an end as a one ...
Kant's ideas allowed Johann Friedrich Blumenbach and his followers to formulate the science of types (morphology) and to justify its autonomy. [5] Kant held that there was no purpose represented in the aesthetic judgement of an object's beauty. A pure aesthetic judgement excludes the object's purpose. [6]