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Acrylic, oil stick and paper collage on canvas 72 x 72in $10.6 million (2013) [100] Private collection 1982–83 Flesh and Spirit: Oil stick, gesso, acrylic and paper on canvas 145 x 145 in $30.7 million (2018) [101] Private collection 1983 Untitled (Halloween) Acrylic and oilstick on canvas 83 1/4 x 59 3/4 in $4.2 million (2017) [57] Private ...
The canvas print material is generally cotton or plastic based poly canvas, often used for the reproduction of photographic images. Digital printers capable of producing canvas prints range from small consumer printers owned by the artist or photographer themselves up to large format printing service printers capable of printing onto canvas ...
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
That same year, he had his first stick sculpture cast in bronze. [5] Roark , in the collection of the Honolulu Museum of Art , is a monumental example of this technique. [ 6 ] The use of wood remained a feature of Arnoldi's oeuvre, although, since the 1980s, he has often employed it in combination with other media.
Oil on canvas 147 × 95.5 cm New York City Museum of Modern Art: French Window at Collioure: Porte-fenêtre à Collioure: 1914 Oil on canvas 46 × 35½ in Paris: Centre Pompidou: View of Notre-Dame: Une vue de Notre-Dame: 1914 Oil on canvas 147.3 × 94.3 cm New York City Museum of Modern Art: Still Life with Lemons: Le citron: 1914 Oil on ...
Smoke of a .45, oil on canvas, 1908. Russell left the sheep ranch and found work with Jake Hoover, a hunter and trapper who had become a rancher. He owned land in the Judith Basin of Central Montana. Russell learned much about the ways of the West from him, and the two men remained lifelong friends. [8]
Self portrait in a cloak with a falling collar: bust: 1630-1631 B366: 1: Sheet of studies of men's heads: About 1630-31 B007: 11: Self portrait in a soft hat and embroidered cloak: 1631 B016: 1: Self portrait in a heavy fur cap: bust: 1631 B134: 3: Old woman seated in a cottage with a string of onions on the wall: 1631 B135: 5: Peasant with his ...
Set to a golden yellow backdrop, at the center of Hollywood Africans is a self-portrait of Jean-Michel Basquiat and his friends artists Toxic and Rammellzee, who accompanied him to Los Angeles. To the upper right of the depiction of Basquiat are the numerals 12, 22, and 60, which is his birthdate (December 22, 1960).