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The Fantasia in F minor by Franz Schubert, D.940 (Op. posth. 103), for piano four hands (two players at one piano), is one of Schubert's most important works for more than one pianist and one of his most important piano works altogether. He composed it in 1828, the last year of his life.
Six Minuets for Winds (No. 1 in C major, No. 2 in F major) Sechs Menuette für Blaser (No. 1 in C, No. 2 in F) 1811 Menuetto – Trio; version for piano of Nos. 1-2 . 2E [993] Fantasy in C minor Fantasie in c 1811 Largo – Andantino – Allegro – Largo 13 Fugue in D minor Fuge in d : ca. 1812 Allegro maestoso 19B Several Waltzes and a March
Franz Schubert composed his Fantasy (German: Fantasie; French: Fantaisie) in C major for violin and piano, Op. posth. 159, D 934, in December 1827. It was the last of his compositions for violin and piano, and was premiered in January 1828 by the violinist Josef Slavik and the pianist Carl Maria von Bocklet at the Landhaussaal in Vienna. [1] [2]
D 571, Piano Sonata in F-sharp minor (1817, unfinished – fragment of an "Allegro moderato" first movement is extant. The Piano piece in A major, D 604, an Andante, as well as the Scherzo in D major and Allegro in F-sharp minor fragment from D 570 probably constitute the remaining movements) I. Allegro moderato (fragment) II. Andante (D 604) III.
D 1, Fantasy in G major for piano duet (1810, a discarded first version of the "Finale" is also extant) D 1B, Fantasy in G major for piano duet (1810 or 1811, fragment) D 1C, Sonata in F major for piano duet (1810 or 1811, fragment of the first movement is extant) D 9, Fantasy in G minor for piano duet (1811)
Schubert composed two more pieces for violin and piano, in October 1826 and December 1827 respectively: a Rondo, D 895, which was published during the composer's lifetime (Op. 70), and a Fantasy, D 934, which was premiered in January 1828, less than a year before the composer's death.
Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1 tes Werk" (first work) in 1821.The Lied, composed by Schubert in 1815, was later adopted along with its prior versions as No. 178 in Series XX, Vol. 3 of the AGA (1895), and in Series IV, Vol. 1 of the NSE (1970).
The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. [2] It was the last of Schubert's sonatas published during his lifetime, and was later described by Robert Schumann as the "most perfect in form and conception" of any of Schubert's sonatas. [3]
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