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Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
"Kataomoi" (片想い, lit."Unrequited Love") is a song written by Kazumi Yasui and Makoto Kawaguchi. It was originally recorded by Michiru Maki as the B-side of her 1969 single "Suzu no Oto ga Kikoeru" (鈴の音がきこえる, lit.
Okinawan folk music differs from mainland Japanese folk music in several ways. Okinawan folk music is often accompanied by the sanshin , whereas in mainland Japan the shamisen accompanies instead. Other Okinawan instruments include the sanba (which produce a clicking sound similar to that of castanets ), taiko and a sharp finger whistle called ...
The "Song of Okinawa Prefecture" (Japanese: 沖縄県民の歌, Hepburn: Okinawa kenmin no uta) was adopted on May 15, 1972, upon the United States' return of Okinawa Prefecture to Japan. Its lyrics were written by local teacher Seiko Miyazato , with music composed by University of the Ryukyus professor Shigeru Shiroma .
The first reference to nagauta as shamisen music appears in the second volume of Matsu no ha (1703). [1] By the 18th century, the shamisen had become an established instrument in kabuki, when the basic forms and classifications of nagauta crystallized [1] as a combination of different styles stemming from the music popular during the Edo period.
Jiuta, as well as nagauta, is a typical form of Utaimono (歌いもの, lyrical music) in traditional Japanese music. Jiuta traces its oldest origins to shamisen music, and is the predecessor of a number of later shamisen pieces, having greatly influence the development of the genre throughout the Edo period; it can be said that both jōruri ...
"Matte Kudasai" (Japanese: 待ってください) literally "Wait, Please" in Japanese, is a ballad by the progressive rock band King Crimson. Featuring vocals by Adrian Belew, it was released as the first single from the album Discipline (1981). In the UK, the single just missed the chart. [2]
was released under the Pony Canyon label in Japan. It surprisingly hit No. 6 in the charts and went triple-platinum in Japan within a number of weeks. [1] While the song was intended to be humorous, some viewers outside Japan assumed it to be earnest, perhaps due to the obvious work that went into the special effects in the video. The ...