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A sense of responsibility led him to hard and prolific work, [2] and one of the results of his activity was the String Sextet. Dvořák's German publisher Simrock offered the work to his friend and collaborator Joseph Joachim (famous violinist and leader of a string quartet), and he together with other artists performed the work privately on 19 ...
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Symfonie č. 9 e moll „Z nového světa“ Symphony No. 9 in E minor "From the New World" orchestra 179: 96: 1893: Smyčcový kvartet č. 12 F dur „Americký“ String Quartet No. 12 in F major "American" 2 violins, viola and cello: 180: 97: 1893: Smyčcový kvintet č. 3 Es dur „Americký“ String Quintet No. 3 in E ♭ major "American"
Herbert, Peter J. F.; Trufitt, Ian T. Antonin Dvořák complete catalogue of works, (The Dvořák Society occasional publications no. 4), 4th revised edition, 2004.The Dvořák Society for Czech and Slovak Music. pp. 30–31.
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
A piano sextet is a composition for piano and five other musical instruments, or a group of six musicians who perform such works. There is no standard grouping of instruments with that name, and compared to the string quartet or piano quintet literature, relatively few such compositions exist.
Antonín Dvořák's String Quintet No. 2 in G major, Op. 77 (B. 49), was originally composed in early March 1875 and first performed on 18 March 1876 in Prague at the concert of the Umělecká beseda.
The definitive shape of the piano version was created from 12 February to 23 March 1881, partly in Prague and partly in Vysoká u Příbrami. Dvořák dedicated the composition to the critic Eduard Hanslick, who praised the cycle with great enthusiasm. [2] The piano duet version was printed by the German publishing house Simrock in mid-1881.