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Ö Mür Apünar Dekh [1] (Assamese pronunciation: [o mʊɹ apʊnaɹ dex]) is the state and traditional song of Assam, India. It was written by Lakshminath Bezbarua and the tune was made by Kamala Prasad Agarwala. It was first published in 1909 in an Assamese magazine named Bahi ("flute").
Papon made his debut in Bollywood with the song "Om mantra" from the film Strings - bound by faith in 2006. [6] [7] [8] In 2011, his song was "Jiyein Kyun" from the movie Dum Maro Dum which was his first big hit. In 2014, he sang "Lakeerein", which is a poem by Gulzar, for the film Kya Dilli Kya Lahore and "Sun RI Bavli" for Nagesh Kukunoor's ...
Zubeen Garg (born 18 November 1972), his contributions are mostly attributed in Assamese, Bengali and Hindi films and music. Garg has recorded more than 38,000 songs in 40 different languages in the past 32 years. [1] [2] He records more than 800 songs every year [3] [4] and has recorded 36 songs in a night. [5] [6]
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These songs were sung by children and a popular Assamese children’s album with the same name was released in 2007. The death of Dwijendra Mohan Sharma inspired her to write her first composition as a dedication to the legend released in an album, My Ornate Life With The Legend, in 2008.
Apart from singing in his Bollywood and Assamese industries, he debuted in Bengali music industry in 2003 where he sung two songs in the movie Mon. In the next year he sung three songs in the movie Shudhu Tumi and also was the music director in the film. [42] In 2005 he sung "O bondhure" and "Lagena Bhalo" in the film Premi.
In a career spanning over seven decades, Sarma recorded songs in a variety of genres across Assamese music spanning both classical and modern including Borgeet, Kamrupi Lokgeet, and Goalpariya Lokogeet. She also popularized Jyoti Sangeet, songs written by Assamese writer and lyricist Jyoti Prasad Agarwala and also Rabindra Sangeet.
The tunes are structured in a pyramid and are always in pentatonic scale similar to other traditional music of Asia like China, Mongolia etc and dissimilar from the seven-scaled Indian music, (in contrast to the music of rest of India which is Meend based), [4] such as the Bihu songs, (common in South-East Asia and East Asia) besides languorous ...