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It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
In 1846, Lassell discovered Triton, the largest moon of Neptune, just 17 days after the discovery of Neptune itself by German astronomer Johann Gottfried Galle, using his self-built instrument. [8] [9] [10] In 1848, he independently co-discovered Hyperion, a moon of Saturn. [9] [11] In 1851 he discovered Ariel and Umbriel, two moons of Uranus.
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
Triton is the largest natural satellite of the planet Neptune. It is the only moon of Neptune massive enough to be rounded under its own gravity and hosts a thin, hazy atmosphere. Triton orbits Neptune in a retrograde orbit—revolving in the opposite direction to the parent planet's rotation—the only large moon in the Solar System to do so.
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.
The Korg Collection 4, launched in November 2022, featured a microKORG emulation that included the original's vocoder effect. This update also introduced a software effect named Electribe-R , inspired by iElectribe for iPad, but with enhanced beat modes and the integration of effects and step sequencing capabilities from the Electribe-R ...