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In music, modulation is the change from one tonality (tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change ). Modulations articulate or create the structure or form of many pieces, as well as add interest.
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
The song begins with a minor i chord in the key of D minor, moves to a major IV, comes back to the minor i, and then moves to a major VI chord, a IV in the key of F. The song then modulates to the key of F major (the relative major of D minor) through a substituted plagal cadence, using a I-ii progression to solidify the new tonic of F.
The song opens and ends with synthesiser arpeggios, with the majority of the song driven by bass and synth. Bellamy's vocal lines in the song span from F3 to E5, except for live performances, where he hits a G5 in the final chorus. The song is written in the key of C minor and modulates to the parallel major key during the chorus.
However, as the chorus of the song repeats, the note of D modulates to G, something that is repeated for one measure before once again dropping to D. [13] During the post-chorus, Young and Vanda strum the seventh A chord in unison, before the composition enters the instrumental break, largely supplied by Vanda's guitar solo. [14]
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The song is composed originally in the key of C major. The bridge modulates to the key of A flat major, moves to B major, then to D major for the final chorus, finally ending in B major for the coda, representing the song's sad ending. [citation needed]
In the key of B-flat major, the tune is a "nonblues theme whose form is A-A'-B-A' with an eight-bar interlude that is not played during the solos." [3] The introduction consists of an ascending line that modulates between two chords, Bbmaj7#11 and B7b5 before resolving to Bb through the use of a tritone substitution.