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The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). [ 61 ] [ 62 ] These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra , Abhinaya Darpana ...
However, Odissi songs were written even before the Odia language developed. Odissi music has a rich legacy dating back to the 2nd century BCE, when king Kharavela, the ruler of Odisha , patronized this music and dance. [6]
Banamali's creations are frequently sung in classical Odissi music concerts & enacted in the abhinaya part of Odissi dance. He is known to have composed over 400 songs; Odissi, Chhanda, Bhajana, Janana, Chautisa and more. He is not known to have written any single kavya, but rather a large number of individual songs. The Ragas used by Banamali ...
The songs frequently employ padi, a characteristic feature of Odissi music. The percussion instrument used in the music of Prahallada Nataka is a mardala . The ensemble, which typically stands on one side of the mancha , includes Mardala , Mukhabina , Gini , Jhanja, and a Harmonium .
The dance is performed sometimes by boys in group, sometimes by girls in group and sometimes both the sexes together. The subject matter of songs constitutes the description of nature, invocation to Karmasani, desires, aspiration of people, love and humour. Jhumair: Jhumair is a folk dance of North Odhia and Western Odisha. It is performed ...
Artforms based on Odissi music (4 P) D. Disciples of Balakrushna Dash (2 P) Disciples of Singhari Shyamsundar Kar (5 P) O. Odissi Mardala (2 C, 3 P) Odissi music ...
Odissi dance and music are classical forms. Odissi has a tradition of 2,000 years, and finds mention in the Natyashastra of Bharatamuni, possibly written circa 200 BCE. However, the dance form nearly became extinct during the British period, only to be revived after India's independence by a few proponents, such as Guru Deba Prasad Das, Guru ...
The performance is usually done by two person group. One person who leads is called Gahana/Gayaka and one performer follows, called Palia. The performance is usually a form of ballad singing. [2] Gayakratna Baidyanath Sharma is one of the notable performers in recent times. [3] The music used in Dasakathia is based on traditional Odissi music.