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A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale with altered intervals.
Use of key signature usual or unusual ... Blues scale on C. ... minor: major — Minor pentatonic scale: Minor pentatonic scale on A.
A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. [1] [2] The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
In Western tonal music, the simplest and most common type of modulation (or changing keys) is to shift from one major key to another key built on the first key's fifth (or dominant) scale degree. In the key of C major, this would involve moving to the key of G major (which uses an F ♯). Composers also often modulate to other related keys.
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
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In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .