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The tangka (Tibetan: Tam or dngul Tam = silver tangka) was a currency of Tibet until 1941. It was subdivided into 15 skar or 1 + 1 ⁄ 2 sho and, from 1909, it circulated alongside the srang , worth 10 sho.
Tibetan Paintings: The Jucker Collection. Shambhala. ISBN 978-1570628658. Kværne, Per (1995). The Bon Religion of Tibet: The Iconography of a Living Tradition. London: Serindia. ISBN 0-906026-35-0. Linrothe, Robert N. (2004). Paradise and Plumage: Chinese Connections in Tibetan Arhat Painting. Serindia Publications. ISBN 978-1932476071.
The conservation and restoration of Tibetan thangkas is the physical preservation of the traditional religious Tibetan painting form known as a thangka (also spelled as "tangka" or "thanka"). When applied to thangkas of significant cultural heritage , this activity is generally undertaken by a conservator-restorer .
Tibetan 2½ skar copper coin, dated 15-53 (= AD 1919), obverse. Except for the Sino-Tibetan coins, the early undated tangkas of the 18th century, and the undated Ganden tangka issues, all Tibetan coins are inscribed with the cycle and the year in which they were struck. Each cycle comprises 60 years.
The giant thangka wall at Tashilhunpo monastery in Shigatse.It is about 32 metres high by 42 metres wide (at the base) and built in 1468. A thangka wall is, in Tibetan religious architecture, a stone-built structure used for hanging giant, or monumental, appliqued thangkas, or scrolls, in some of the major Buddhist monasteries of Tibet.
The Tibetan tangka was an official currency of Tibet for three centuries. It was introduced by Lhasa Newar merchants from Nepal in the 16th century. The merchants used Nepalese tanka on the Silk Road. The Tibetan government began to mint the tangka in the 18th century. The first Tibetan tangka was minted in 1763/64.
The Regong arts (or Rebgong arts) [1] are the popular arts on the subject of Tibetan Buddhism.They are painting, sculpture, engraving, architecture, and embroidery. [2] They are associated with communities in Tongren County and along the river Rongwo which crosses the current Huangnan Tibetan Autonomous Prefecture in the province of Qinghai in China.
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
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