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A thangka (Nepali pronunciation: [ˈt̪ʰaŋka]; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of ...
China opened another mint in Lhasa in 1792, where the minting of the Sino-Tibetan tangka took place in 1792 (only pattern tangkas with inscription in Tibetan only). The Sino-Tibetan tangkas, struck in 1793 bear an inscription in Chinese, which says, Qian Long Bao Tsang (Tibetan money of the Qian Long period) on one side and its transcription in Tibetan on the other side.
The thangka, literally something which is unrolled, is a painting on canvas characteristic of Tibetan culture.Canvases of all sizes can be found, from thangka portraits which can be unrolled due to two sticks passing through eyelets, up to momentous designed to be unrolled to cover a wall or door, which can measure dozens of metres.
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
The conservation and restoration of Tibetan thangkas is the physical preservation of the traditional religious Tibetan painting form known as a thangka (also spelled as "tangka" or "thanka"). When applied to thangkas of significant cultural heritage , this activity is generally undertaken by a conservator-restorer .
The giant thangka wall at Tashilhunpo monastery in Shigatse.It is about 32 metres high by 42 metres wide (at the base) and built in 1468. A thangka wall is, in Tibetan religious architecture, a stone-built structure used for hanging giant, or monumental, appliqued thangkas, or scrolls, in some of the major Buddhist monasteries of Tibet.
English: This Tibetan tangka was likely based on a north Indian pata painting, but as such works no longer survive, we are limited to comparisons with palm-leaf manuscript illustrations. Here Tara offers salvation while also protecting the devotee from harm and evil; along either side are representations of Tara related to each of the eight ...
Tibetan undated silver tangka (2nd half of 18th century) with eight times the syllable "dza" in vartula script,reverse (from Tibetan tangka) Image 23 Huizi currency , issued in 1160 (from Money ) Image 24 Undated Kelzang tangka (1910), reverse (from Tibetan tangka )
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