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"Sky High" is a song by British band Jigsaw. It was released as a single in 1975 and was the main title theme to the film The Man from Hong Kong . The song was a worldwide hit in the latter part of 1975, reaching No. 3 on the Billboard Hot 100 and No. 4 on the Adult Contemporary chart in the United States .
"The Song of the Count", sung by Count von Count, written by Jeff Moss and Emily Kingsley. "Soundman Song", sung by Simon Soundman (Jerry Nelson) about how his ruff-ruff (dog) chased a meow (cat) up a tree and how the cat got down, written by Jeff Moss.
Sky High is a 2005 American superhero comedy film directed by Mike Mitchell, and written by Paul Hernandez, and Kim Possible creators Bob Schooley and Mark McCorkle. The film stars Kelly Preston , Michael Angarano , Danielle Panabaker , Mary Elizabeth Winstead and Kurt Russell .
"Black Ice (Sky High)" is a song by American hip hop group Goodie Mob from their second studio album Still Standing (1998), released as its second single on June 7, 1998. [1] The song features American hip hop duo Outkast and was produced by Mr. DJ .
Sky High, a 1925 revised version of the musical comedy Whirled into Happiness "Sky High" (song), a 1975 single by the band Jigsaw; Sky High, a 2012 album by Mike Posner; Sky High!, a 1976 album by American soul/R&B group Tavares "Sky High", a song by Ben Folds Five from their 2012 album The Sound of the Life of the Mind
It's been 15 years since 'High School Musical 3: Senior Year' opened in theaters. Here's our official ranking of all the songs in the movie.
"Reach for the Stars" was written in February 2011, after NASA asked will.i.am to write and produce a song for the Curiosity rover's landing on Mars. The songwriter said that the experience with NASA administrator Charles Bolden discussing the possibility of broadcasting a song from Mars was "surreal", The song is part of NASA's educational outreach, with will.i.am stating that the song "aims ...
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records.For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works.