Search results
Results from the WOW.Com Content Network
Hassō-no-kamae (八相（八双）の構, "all (eight) directions"), frequently shortened simply to hassō and occasionally called hassō-gamae, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō, and waki. It is an offensive stance, named for one's ability to respond to a situation in any direction.
Kamae (構え) is a Japanese term used in martial arts and traditional theater. It translates approximately to "posture". The Kanji of this word means "base". The implied meaning is 'readiness' or 'be ready'. Kamae is to be differentiated from the word tachi (立ち), used in Japanese martial arts to mean stance.
Waki-gamae (脇構), sometimes shortened to waki, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki, as well as other related and older martial arts involving Japanese sword. Waki-gamae is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent ...
The Jikishinkage-ryū style descends from the kenjutsu styles developed in the late Muromachi period which overlaps the early Sengoku period, or better dated as late 15th or early 16th century, at the Kashima Shrine by the founder, Matsumoto Bizen-no-Kami Naokatsu (松本 備前守 尚勝, 1467–1524). [2]
Chūdan-no-kamae is also called Seigan-no-kamae (正眼之構), or "right/correct eye posture," because the stance points the tip of the sword at the opponent's eyes. [1] In most traditional schools of swordsmanship, and in the practice of kendo , chūdan-no-kamae is the most basic posture, as it provides a balance between attacking and ...
Jigen-ryū (示現流 lit: revealed reality style) is a traditional school of Japanese martial arts founded in the late 16th century by Tōgō Chūi (1560–1643), a.k.a. Tōgō Shigekata, in Satsuma Province, now Kagoshima prefecture, Kyushu, Japan. [1]
Gedan-no-kamae (下段の構え Hiragana: げだんのかまえ), frequently shortened simply to gedan, occasionally shortened to gedan-gamae, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō, and waki. Gedan-no-kamae means "lower-level posture." This position is adopted when the sword is held out in front of the body ...
Eddie Kamae said that the steel enhanced the natural beauty of their music, made it distinctive at a time when steel was no longer popular. [5] Rogers's music was a simple pure Hawaiian style always delicately played and beautifully expressed. [5] Other than music, Rogers worked as a merchant marine based out of Honolulu. [5]