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I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful, a fairy's child; Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made ...
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive.
Madonna and Child in a 14th century wall painting, Oxfordshire. "Lullay, mine liking" is a Middle English lyric poem or carol of the 15th century which frames a narrative describing an encounter of the Nativity with a song sung by the Virgin Mary to the infant Christ. [1]
Sonnet 2 begins with a military siege metaphor, something that occurs often in sonnets and poetry — from Virgil (‘he ploughs the brow with furrows’) and Ovid (‘furrows which may plough your body will come already’) to Shakespeare's contemporary, Drayton, “The time-plow’d furrows in thy fairest field.” The image is used here as a ...
"Early One Morning" (Roud V9617) is an English folk song with lyrics first found in publications as far back as 1787. [1] A broadside ballad sheet in the Bodleian Library, Oxford, dated between 1828 and 1829 [2] has the title "The Lamenting Maid" and refers to the lover leaving to become a sailor.
A lily crucifix is a rare symbol of Anglican churches in England. It depicts Christ crucified on a lily , or holding such a plant. The symbolism may derive from the medieval belief that the Annunciation of Christ and his crucifixion occurred on the same day of the year, March 25. [ 30 ] (
I love Thee for wearing the thorns on Thy brow; If ever I loved Thee, my Jesus, 'tis now. I'll love Thee in life, I will love Thee in death, And praise Thee as long as Thou lendest me breath; And say when the death dew lies cold on my brow, If ever I loved Thee, my Jesus, 'tis now. In mansions of glory and endless delight,
"Auguries of Innocence" is a poem by William Blake, from a notebook of his known as the Pickering Manuscript. [1] It is assumed to have been written in 1803, but was not published until 1863 in the companion volume to Alexander Gilchrist's biography of Blake.