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Aditi Mangaldas (born 1960) is a Kathak dancer and choreographer, who is known for her classical Kathak as well as 'contemporary dance based on kathak" repertoire. [1] Mangaldas is hailed as one of the leading dancers in the field of Kathak in India as well as across the world. [2] Mangaldas has trained under Kumudini Lakhia and Pundit Birju ...
Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and Lucknow. [ 7 ] [ clarification needed ] While the Jaipur gharana focuses more on the foot movements, the Banaras and Lucknow gharana focus more on facial expressions and graceful hand movements.
Stories with anecdotes, known as Kathakalakshepa, are told in Sanskrit, Tamil, Marathi, Telugu, Kannada and Hindi. In a variant, a storyteller proficient in classical music, interweaves the main story with music, dance and digressions. Harikatha is a composite art form combining storytelling, poetry, music, drama, dance and philosophy.
Kathak Clothing and dance indigenous to Uttar Pradesh. During the Gupta and Harsh Vardhan eras, Uttar Pradesh was a centre for musical innovation. Swami Haridas was a musician who championed Hindustani Classical Music. Tansen, a musician in Mughal Emperor Akbar's court, was a disciple of Swami Haridas. Kathak is a classical dance form from ...
The Lucknow Gharānā, also known as "Purab Gharâna" for tabla, is a discipleship tradition ("gharana") with a tabla legacy and Kathak legacy. These two traditions are known for being one of the six major gharanas of tabla and three gharanas of kathak.
Some Hindi movies have also included Tamasha-themed songs, known as Lavanis, in the past. Traditional Tamasha is influenced by many Indian art forms and draws from such diverse traditions as kaveli , ghazals , Kathak dance, dashavatara , lalit and kirtan .
Vipralabdha throwing away her jewellery. Chamba, 18th-century. Salar Jung Museum. The Ashta-Nayika classification (nayika-bheda) first appears in Natya Shastra (24.210-11), a key Sanskrit treatise on Indian performing arts, authored by Bharata (dated between 2nd century BC and 2nd century AD).
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