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The National Gallery of Art holds this painting as one of its highlights: [3]. A pleasant sense of ease and harmony pervades this landscape of almost photographic clarity. The large areas of brilliant sunshine and cool shade, the rambling line of the fence, and the beautiful balance of trees, meadow, and river are evidence of the artist's creative synthesis of the actual s
In 2003, a retrospective of his work, "Not a Camera: the Unique Vision of Stephen Wiltshire", was held in the Orleans House gallery in Twickenham, London. [9] In May 2005 Wiltshire produced his longest ever panoramic memory drawing of Tokyo on a 32.8-foot-long (10.0 m) canvas within seven days following a helicopter ride over the city.
This painting depicts Headley's first four children: Chris, Didi, Kirk and Jill. The painting originally hung at the home he built at Bull Run Plantation. The house was later renamed Kinhega ...
Yale University Art Gallery, Connecticut [84] Dream of Arcadia: c. 1838: Oil on canvas 98.1 by 159.4 centimetres (38.6 in × 62.8 in) Denver Art Museum, Colorado [85] Romantic Landscape with Ruined Tower: 1838 Oil on canvas 86.4 by 116.8 centimetres (34.0 in × 46.0 in) National Gallery of Art, Washington, D.C. [86]
Harvest Landscape: 31 July-6 August 1888 National Gallery of Art, Washington D.C. Arles F 1486 JH 1527 Fishing Boats at Saintes-Maries-de-la-Mer: 31 July-6 August 1888 Saint Louis Art Museum: Arles F 1433 JH 1528 Wheat Field with Sheaves and Arles in the Background: 31 July-6 August 1888 Private collection Arles F 1490 JH 1529 Wheat Field with ...
The view Cole sought to paint was a particularly difficult one, as its panoramic breadth extended beyond the width of typical landscape paintings of the period. [1] To solve this problem, Cole stitched together two separate views from Mt. Holyoke, creating a synthetic, rather than a faithful, image of the scene. [ 7 ]
Maynard Dixon (January 24, 1875 – November 11, 1946) was an American artist. He was known for his paintings, and his body of work focused on the American West.Dixon is considered one of the finest artists having dedicated most of their art to the U.S. Southwestern cultures and landscapes at the end of the 19th-century and the first half of the 20th-century.
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