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The movie consists of four distinct short stories about the suffering of the Cuban people and their reactions, varying from passive amazement in the first, to a guerrilla march in the last. Between the stories, a female narrator (credited "The Voice of Cuba") says such things as, "I am Cuba, the Cuba of the casinos, but also of the people."
During the 1950s he directed several other films. His four final features, The Cranes Are Flying (1957), Letter Never Sent (1959), I Am Cuba (1964), and The Red Tent (1969), are among his most famous works. [5] The first three movies are often praised for the masterful camerawork by the Russian cinematographer Sergey Urusevsky.
Sergey Pavlovich Urusevsky (Russian: Серге́й Павлович Урусевский) (23 December 1908, Saint Petersburg, Russian Empire - 12 November 1974, Moscow, Soviet Union) was a Soviet cinematographer and film director, renowned for his work with Grigori Chukhrai, Mikhail Kalatozov and Yuli Raizman. [1]
I Am Cuba; K. The King of Havana; L. A Lady Without Passport; The Last Supper (1976 film) The Lie (1952 film) Life Is to Whistle; The Lone Wolf Keeps a Date;
Under Siege (1992) – movie about arms dealers who take over a U.S. Navy battleship, and attempt to sell the ship's nuclear-tipped Tomahawk Cruise Missiles on the black market; Vikram (1986) – Indian action adventure film by Rajasekhar about a Research and Analysis Wing agent who has to retrieve AgniPutra, a stolen nuclear-capable Indian ICBM.
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Cuba has submitted films for consideration in the Academy Award for Best International Feature Film [nb 1] category at the Oscars since 1978. The award is handed out annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue.