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Ivory, amber buffalo horn. A netsuke (根付, ) is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship. [1]
Masanao (正直, mid-late 1700s) was a noted Japanese sculptor of netsuke from the Kyoto area. He is thus associated with the Kyoto school. He is thus associated with the Kyoto school. His works often depict animals, and he is considered to have been one of the greatest artists working in the netsuke art form.
They all began as remote and impersonal gods, but gradually became much closer canonical figures for certain professions and Japanese arts. During the course of their history, the mutual influence between gods has created confusion about which of them was the patron of certain professions.
The Venus of Brassempouy, about 25,000 BP 11th-century Anglo-Saxon ivory cross reliquary of walrus ivory. Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually. Objects carved in ivory are often called "ivories".
A Japanese 19th-century mixed metal ojime bead Inro, ojime and netsuke. Lacquer inro, stained ivory ojime and wooden netsuke; inro features a reclining figure in a boat; netsuke is in the form of a mask, by Ikkan (ca. 1750-1850) An ojime (緒締め, lit. "cord fastener") is a bead used in Japanese inrō (carrying cases). It is typically under ...
Ivory has been valued since ancient times in art or manufacturing for making a range of items from ivory carvings to false teeth, piano keys, fans, and dominoes. [9] Elephant ivory is the most important source, but ivory from mammoth , walrus , hippopotamus , sperm whale , orca , narwhal and warthog are used as well.
Ashura, a Japanese National Treasure sculpture from 734. In the mid-6th century, the introduction of Buddhism from Korea to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen.
The Nihon Shoki (Chronicles of Japan) which is an ancient history of Japan compiled in 720, states that haniwa was ordered at the time of an empress's death by the emperor who regretted the custom of servants and maids of the deceased following their master in death, and ordered that clay figures be molded and placed around the kofun burial ...
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