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An Indonesian Muslim man doing dua. Muslims regard dua as a profound act of worship. Muhammad is reported to have said, "Dua is itself a worship." [3] [4]There is a special emphasis on du'a in Muslim spirituality and early Muslims took great care to record the supplications of Muhammad and his family and transmit them to subsequent generations. [5]
This view excludes the practice of regularly raising the hands as sunnah and a mustahabb act of ibadah after fardh salah accompanying a dua. These scholars however do recognize raising hands during a dua not done after salah, saying that the Muslim should raise his hands with humility to Allah in the way instructed by Muhammad .
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
A kneeling position with raised hands expressed "supplication" in classical antiquity. The word for "prayer" and for "supplication" is identical in ancient languages (oratio, προσευχή, תְּפִלָּה etc.), with no terminological distinction between supplications addressed to human as opposed to divine powers. Statuette known as ...
Dua, or duaa, (Arabic: دعاء) is the Islamic term for the act of supplication. "Dua" is also a given name in the Albanian language , meaning "love" or "want". DUA or dua or duaa may also refer to:
The traditional, full Yoruba prostration involves the prostrator lying down almost prone with his feet extended behind his torso while the rest of his weight is propped up on both hands. This traditional form is being replaced by a more informal bow and touching the fingertips to the floor in front of an elder with one hand, while bending ...
As a supplication or prayer, an invocation implies calling upon God, a god, goddess, or person.When a person calls upon God, a god, or goddess to ask for something (protection, a favour, or their spiritual presence in a ceremony) or simply for worship, this can be done in a pre-established form or with the invoker's own words or actions.
Supplication is a theme of earliest antiquity, embodied in the Iliad as the prayers of Chryses for the return of his daughter, and of Priam for the dead body of his son, Hector. Richard Martin notes repeated references to supplicants throughout the poem, including warriors begging to be spared by the Greeks on the battlefield.