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Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel.The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens.
Messiah is not typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
In 1749, Handel composed Music for the Royal Fireworks; 12,000 people attended the first performance. [144] In 1750, he arranged a performance of Messiah to benefit the Foundling Hospital, a children's home in London. The performance was considered a great success and was followed by annual concerts that continued throughout his life.
Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent Händel-Werke-Verzeichnis (HWV) publication is now commonly used to number his works. For example, Handel's Messiah can be referred to as: HG xlv, HHA i/17, or HWV 56. [1]
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Messiah: Scores at the International Music Score Library Project; Georg Friedrich Händel / Messiah (1742) / A Sacred Oratorio / Words by Charles Jennens opera.stanford.edu; George Frideric Handel (1685–1759) / Messiah Simon Heighes, for The Sixteen recording, 1997; Handel Messiah Lindsay Kemp, program notes for Colin Davis recording, 2006
The Nov. 26 performance will be the first lead by new choir director Edward X. Petrus.
Mozart first heard Handel's Messiah in London in 1764 or 1765, and then in Mannheim in 1777. The first performance, in English, in Germany was in 1772 in Hamburg. [1] Carl Philipp Emanuel Bach was the first to perform the oratorio in German: he presented it in 1775 in Hamburg, with a libretto translated by Friedrich Gottlieb Klopstock and Christoph Daniel Ebeling, followed by repeat ...
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