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The King Saxello was a soprano saxophone with a downward curve near the mouthpiece and a bell curved 90 degrees from the body, for optimal playing position and acoustic qualities. With improvements to saxophone design embodied by the King Zephyr in 1935, H. N. White's position as a leading manufacturer of saxophones was firmly established.
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
Henri Selmer Paris is a French enterprise, manufacturer of musical instruments based at Mantes-la-Ville near Paris. Founded in 1885, it is known as a producer of professional-grade woodwind and brass instruments, especially saxophones, clarinets and trumpets. Henri Selmer Paris was family-owned until 2018, when it was sold to Argos-Wityu. [2]
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Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and popular music. The oboe is widely recognized as the instrument that tunes the ...
This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own. It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz 's Treatise on Instrumentation , that its tone "...had not the slightest similarity with the low tones of ...
Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers: