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The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III .
Antonín Dvořák's Stabat Mater, Op. 58 (B. 71), is an extended setting for vocal soloists, choir and orchestra of the 20 stanzas of the Stabat Mater sequence. Dvořák sketched the composition in 1876 and completed it in 1877.
Stabat Mater (P.77) [1] is a musical setting of the Stabat Mater sequence, composed by Giovanni Battista Pergolesi in 1736. [2] Composed in the final weeks of Pergolesi's life, [3] it is scored for soprano and alto soloists, violin I and II, viola and basso continuo. The autograph manuscript of the work is preserved in the Benedictine Abbey of ...
Stabat Mater is a motet for unaccompanied double chorus, and consists of 20 sections in accordance with the 20 verses of text. It is scored for double chorus, with both choruses set for SATB chorus. It contains rare examples of anticipation, which are relatively early for its time.
Stabat Mater by Alessandro Scarlatti is a religious musical work composed for two voices (soprano/alto), two violins and basso continuo, in 1724, on a commission from the Order of Friars Minor, the "Knights of the Virgin of Sorrows" of the Church of San Luigi in Naples [1] for Lent
Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered in Brescia in 1712. [ 1 ]
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Joseph Haydn's Stabat Mater, Hob. XXa:1, is a setting of the Stabat Mater sequence, written in 1767 for soloists, mixed choir and an orchestra of oboe , strings and continuo. The first performance is believed to have taken place on 17 March 1767 at the Esterhazy court .